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GDC 2012 organizers have issued a reminder that the Summit call for submissions will close Monday, October 31, leaving just a few days to submit proposals for the San Francisco show submarket-specific events.

The Summits will kick-off Game Developers Conference 2012 during the first two days of the conference -- which runs March 5th-9th, 2012 at the Moscone Center in San Francisco -- and will cover pertinent topics in key sub-markets of the games industry, particularly focusing on broadening the scope of the medium to encompass new audiences, new platforms, and of course new gameplay ideas.

This year, the Summit lineup will cover topics such as AI, Education, Localization, Independent Games, Smartphone & Tablet Games, and Social & Online Games, all of which return from GDC 2011.

New to the show in 2012 are two new summits: Games For Change @ GDC and the Game IT Summit. As previously announced, Games For Change @ GDC is an event hosted in partnership with the Games for Change non-profit organization, which facilitates the creation and distribution of games that exist for humanitarian or educational purposes.

This new GDC event, which complements the annual Games for Change Festival in New York, will allow funders, educators, governmental agencies, and other organizations to interact with indie and commercial game developers to help leverage interactive entertainment for social good.

This week, the GDC Vault service has debuted specially picked free videos from previous Game Developers Conferences, including talks on the problems with game ratings, reflections on Chair's Shadow Complex, and design lessons from Far Cry 2.

These talks come from various GDC events from the past few years, and cover some particularly notable games and issues, providing just a glimpse of what the Game Developers Conference has to offer.

The following are the newest free video lectures to be made available on the GDC Vault:

- In the GDC Europe 2011 talk, "Game Content Rating Systems Must Change," Quantic Dream's Guillaume de Fondaumiere (Heavy Rain) contrasts video game ratings to those of film and other media, arguing that video game ratings are far more strict than they should be.

These restrictions, de Fondaumiere says, are hurting the industry, and this session explains why game developers need to do a better job of protecting their creations.

- During GDC 2010, Chair Entertainment's Donald Mustard reflected on the studio's hit XBLA title in a session titled, "Designing Shadow Complex." Here, Mustard points out the key pitfalls the team encountered during the game's development, and how the team learned to embrace the limitations of the platform to streamline Shadow Complex's design.

- This week's final talk comes from GDC 2009, and features Ubisoft's Jonathan Morin as he outlines the ways in which the critically acclaimed Far Cry 2 strove to support player expression in its game design. The session, dubbed, "Player's Expression: The Level Design Structure Behind Far Cry 2 and Beyond?," explores the game's open design and explains how lessons learned from this project could apply to other games.

Following Double Fine's recent announcement of the Kinect-exclusive Happy Action Theater, lead technical artist and upcoming GDC China speaker Drew Skillman discussed the studio's experience working with Microsoft's depth-sensing hardware, noting that it required the studio to re-think its approach to game design.

In particular, Skillman notes that it takes a lot of experimentation with Kinect to get things working as intended, and Double Fine had to take some unusual measures to reliably test its latest title.

At next month's GDC China, Skillman will delve further into the implications of working with Kinect in a session titled, "Rapid Prototyping Techniques for Kinect Game Development," which will focus on the studio's process for creating its motion-controlled games.

In anticipation of the talk, Skillman discusses the challenges of working with the Kinect's depth-sensing technology, offering tips on how to best make use of the hardware's strengths, and to design games around its weaknesses.

Considering Double Fine's history of making games with traditional gamepad controls, what has it been like for the studio to work with the Kinect hardware? Are there any particular challenges you or the team have encountered?

The biggest challenge has been adapting to the different types of input you get from the Kinect. A gamepad controller is quite literally a handful of very precise inputs, but the Kinect is a continuous stream of video and depth data. Even after processing that data into player joints and segmentation IDs, you will still never be able to pinpoint the exact frame when a character is supposed to jump, for example.

That difference has informed our designs at the deepest levels. We want to leverage this new technology for the amazing new interactions it allows, and not just try and use it as a calorie burning substitute for a gamepad.

What tips would you offer developers looking to start working with Kinect or other motion control hardware?

One great way to start is to check out all the phenomenal Kinect hacks that are flooding the web right now. If you do a Google search for "Kinect Hack," you will see a massive number of inspirational and creative applications, many of which are already in game form, or translate to games naturally. One reason for this rampant experimentation is that programming languages like Processing and Open Frameworks make the hardware accessible to everyone with a computer. This open source approach gives it traction in disciplines like science, education, interactive design, student games, etc. Kinect is definitely a melting pot of ideas right now.

Also, consider investing in life size, cardboard cutouts of your favorite characters. A member of our team made a genius purchase early in the project, and as a result cardboard cutouts of Dumbledore, Darth Vader, and Elvis have been invaluable testers throughout development. The Kinect detects them as very patient players. Another late arrival to our "test team" was actually a Yoga ball, which the Kinect recognizes as well.

Today, GDC China
organizers announced that outspoken industry veteran and BioWare Mythic
senior creative director Paul Barnett will host a keynote for the
show's Online Game Development and Business track.

Barnett's keynote, dubbed "Global Reach and Local Limits - Paul's
Personal Truths about Online Game Development," will examine now online
play has affected game design, focusing particularly on geographic
proximity, how culture matters, and "lessons from the old British
Empire."

Barnett's experience working with online games extends back to the 1990s, when he helped create the AOL-based MUD Legends of Terris. He later moved to Mythic Entertainment (which eventually became BioWare Mythic) to help design EA's hardcore MMO Warhammer Online: Age of Reckoning.

In addition to Barnett's keynote, GDC China would like to point out
that the Early Registration deadline for the show is roughly 24 hours
away. Register for the show by October 19, 2011 to receive special
discounts on the various GDC China pass options.

GDC China will take place in just a few weeks, from November 12-14 at the Shanghai Exhibition Center, so make sure to register soon!

Over the last few weeks, GDC China has unveiled other exciting talks
from some of the industry's top professionals, including talks from Canabalt's Adam Saltsman and mobile developer Booyah, sessions from Square Enix and Kabam, in-depth looks at Fruit Ninja and Doodle Jump, and much more.

For more details on the current lineup for the show, please check out GDC China's official website.

Organizers are reminding that there are 24 hours until the Main Competition deadline for the 2012 Independent Games Festival, being held at the Game Developers Conference 2012 in San Francisco next March 5-9.



The Independent Games Festival is the longest-running and highest-profile independent video game festival, summit, and showcase, and the deadline for the IGF 2012 Main Competition is Monday, October 17th at 11.59pm PT.



Finalists will be announced in January 2012, and will be available in playable form at the IGF Pavilion on the GDC show floor from March 7-9, 2012. The titles will compete for nearly $60,000 in prizes, a significant increase from last year.



This includes the high-profile $5,000 Nuovo Award, honoring abstract, short-form, and unconventional video game development, as well as a $30,000 Grand Prize and a host of other notable awards.



Submissions to the competition are still open to all independent game developers, with almost 260 games entered already, and many entrants waiting until the last minute to polish versions of their game for more than 150 IGF judges. A full list of entrants will be released on the IGF website in the days following the submission deadline.



Important dates for IGF 2012 are as follows:



- June 30, 2011 - Submissions are Open

- October 17, 2011 - Submission Deadline, Main Competition

- October 31, 2011 - Submission Deadline, Student Competition

- January 5, 2012 - Finalists Announced, Main Competition

- January 12, 2012 - Finalists Announced, Student Competition

- March 5 - March 9, 2012 - Game Developers Conference 2012

- March 5 - March 6, 2012 - Indie Games Summit @ GDC 2012

- March 7 - March 9, 2012 - IGF Pavilion @ GDC 2012



Winners will be announced on stage at the high-profile Independent Games Festival Awards on Wednesday, March 7, 2012, at the Moscone Center in San Francisco. The Independent Games Festival Awards are held immediately before the wider Game Developers Choice Awards.

This week, GDC China debuted a trio of new sessions, featuring Canabalt developer Adam Saltsman on opportunities for small developers, mobile studio Booyah on location-based games, and a full-day design tutorial from thatgamecompany's Robin Hunicke.

Taking place November 12-14 at the Shanghai Exhibition Center in Shanghai, China, the event will once again serve as the premier game industry event in China, bringing together influential developers from around the world to share ideas, network, and inspire each other to further the game industry in this region.

This year, the show's Main Conference will feature three primary tracks, covering Online Game Development & Business, Global Game Development, and Social Games, and two Summits on Indie Games and Mobile Games, respectively.

Here are the latest talks to be revealed for the upcoming show:

- In the Independent Games Summit, Canabalt creator and independent game maker Adam 'Atomic' Saltsman will host a lecture titled, "Commercial and Creative Opportunities for Small Companies, Small Teams and Solo Developers." Here, Saltsman will examine the commercial realities of today's most popular platforms, and will point out several overlooked areas that would be a good fit for small developers.

- Over in the Mobile Games Summit, Keith Lee, co-founder and CEO of Booyah (MyTown) will offer an in-depth look at creating location-based games. His talk, dubbed, "5MM Users in MyTown: Key Learnings from the #1 Geo-Location Game," will go over Booyah's challenges and lessons learned, and will present hard data to illustrate how the studio found a healthy audience for its own location-based game.

- Finally, Robin Hunicke of Journey developer thatgamecompany will host a first-ever, day long Chinese debut for the popular MDA Game Design Workshop. Previously held at the primary GDC in San Francisco, this interactive tutorial will teach attendees to analyze, design, and improve the games they work on by applying the MDA (Mechanics, Dynamics and Aesthetics) approach to game design. Participants will take part in several hands-on exercises and learn a new vocabulary for describing games with co-workers and collaborators, leaving them with a better understanding of games and how to talk about them with peers.

BioWare San Francisco producer Ethan Levy recently looked back on the Google+ and Facebook-based Dragon Age Legends, noting that brand recognition, core-focused gameplay, and some key marketing tactics helped the game find a dedicated audience on social platforms.

The game launched this March alongside Dragon Age II, and serves as a turn-based spinoff of the mainline Dragon Age series. As of this writing, Dragon Age Legends sees more than 220,000 monthly active users, according to AppData.

Levy played a key role in the game's creation from day one, and in fact was the first employee to join the BioWare San Francisco studio (formerly known as EA2D). Previously, he served as lead producer on the game's predecessor, Flash game Dragon Age Journeys, and has experience working at casual game poublishers like PlayFirst and iWin.

At next week's GDC Online in Austin, Texas, Levy will host a metrics-heavy talk titled, "Dragon Age Legends' Road to 100k Likes," which will go over the successes and lessons learned for the game's pre and post launch marketing strategy.

In this interview, Levy speaks out on some of the other key factors that contributed to Dragon Age Legends' success, and discusses the ways in which social games can reach out to core players.

What factors do you think most contributed to Dragon Age Legends' success?

I would cite two key factors in contributing to Dragon Age Legends' success. The first is being tied to a big brand in Dragon Age, and having strong support from the core franchise owners in BioWare's Edmonton studio. Being closely tied to the HD game's release and having custom items players could earn in Dragon Age II by playing Dragon Age Legends was a key part of our early momentum, and being part of the Dragon Age brand meant we received a lot more notice from fans and press then if we were just some startup releasing "Dragon Puncher" on Facebook.

The second factor I would cite is the game's core gameplay loop. At the time we released Legends, and still to this date, few social network games feature what a core gamer would recognize as gameplay. Many social network games more closely resemble activities or addiction machines in the eyes of gamers. By having a strong gameplay loop with fun and meaningful combat, we were able to create a game that was accepted by BioWare and Dragon Age fans as authentic.

What were some of the marketing tactics you employed for Dragon Age Legends? Which ones did you find most useful?

Pre-launch, we employed some tried and true tactics from the console marketing world. This included press releases, a cinematic trailer, a closed beta program with beta key programs on major enthusiast outlets, email marketing and cross promotion with other EA games and communication channels.

Of these, we were especially happy with the results of the closed beta program, which helped drive a lot of excitement and awareness of Legends. The cross-promotional and email marketing efforts driven by EA's Play4Free publishing group have also been a bright spot for Legends, as they have allowed us to derive a lot of value from EA's existing player base.