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GDC Europe organizers have announced new lectures for the August show, including Social Games Summit talks by Playdom and Playfish, and NetherRealm on creating Mortal Kombat's cinematics.

Taking place Monday through Wednesday, August 15-17, 2011 at the Cologne Congress-Centrum Ost, GDC Europe 2011 -- alongside the major gamescom trade show -- will again provide the essential pan-European perspective of game development and business trends.

New to the conference this year is the Social Games Summit, which will feature panels and lectures from some of the most influential figures in the social space, on topics including Facebook games, persistent MMOs, web-based online titles, and much more.

As part of the Social Games Summit, Playdom's VP of global distribution Paul LaFontaine will host a talk dubbed "Social Gaming is no Long Just Facebook," during which he will help developers prioritize which platforms to develop for among the ever-growing sea of regional and specialized social networks like Odnaklassniki.ru and QQ.com.

The Summit will also feature Playfish UK's general manager John Earner in a talk on how social game development should adapt to the ever-increasing demand for high production values on Facebook and other social platforms.

The lecture from the Electronic Arts-owned firm's executive, titled "Evolution of the Development Process in Social Gaming," will help put the evolution of social games in context by comparing the budding industry with previous gaming platforms.

Elsewhere, in the main conference's Visual Arts track, NetherRealm Studios' cinematic director Dominic Cianciolo will discuss the studio's approach to the development and execution of the cinematics in the recently released Mortal Kombat title.

The organizers of Game Developers Conference Online 2011 are reminding that the event is accepting submissions through midnight PT on Thursday, May 5th to present lectures, roundtables, and panel sessions at GDC Online 2011.

The Austin, Texas-based conference and expo to be held this October - the leading worldwide event for social and online game developers - focuses on social network titles, free-to-play web games, kid-friendly online titles, large-scale MMOs, and all types of connected and cloud-centric games.

Main Conference submissions should address the most pressing development challenges for online and connected games, targeting the following tracks: Business and Marketing, Design, Production, Programming, and the new Customer Experience track.

Evolving from last year's Live track, GDC Online's notable new Customer Experience track will feature successful strategies to attract, retain and effectively monetize players.

Industry experts are encouraged to submit a proposal in areas such as increasing player satisfaction and engagement through metrics-driven post-launch development, design patterns for expansion content, building and managing communities and more.

GDC Online 2011 show management is also requesting submissions for its standalone summits, which this year include the Game Narrative Summit, the Smartphone & Tablet Games Summit and the GDC Virtual Items Summit.

[Continuing his new 'Tales from the GDC Vault' series, digital historian Jason Scott showcases his work on the the GDC multimedia archives, presenting a Betamax video rundown and talks or excerpts featuring Peter Molyneux (Black & White) and Chris Taylor (Dungeon Siege).]
Jason Scott, GDC Historian here. I'm here to talk about the future. I'm here to talk, in other words, about the Betamax format.
For people of a certain age, Betamax is kind of a joke. For others who are younger, it's barely a word, something you might have heard in passing in an unrelated discussion about video. But what it is, in fact, is a video format that never quite died, and which still sees some amount of activity in the present day.
It was a contemporary format to VHS, first introduced in the 1970s, as one of the standards intended to be used in all sorts of consumer-grade hardware for videotape. It had some positive features, but a crushing grip by Sony meant that the format was shoved aside for its not-so-great-but-cheaper competitor, from JVC. Not one to just kill the format,
Sony instead tweaked it: the professional reworking of that consumer-grade video technology into Betacam meant that it had a lot of use in the professional sector going forward. Granted, that activity has decreased intensely with the advent of digital recording and high-definition requirements, but you can be assured that there are more Betamax players and recorders out there than the initial guess of "zero". One of them, I am happy to say, is in my house.
Check out this svelte monstrosity:

The GDC Vault service has debuted free video talks from Game Developers Conference 2011's Summits, including Jane McGonigal on "no stinkin' badges", Monaco's Andy Schatz on winning the IGF, and Playdom's Scott Jon Siegel on making City Of Wonder.

These talks add to acclaimed lectures from Frank Lantz and Charlie Cleveland, as well as the much-watched classic game postmortem series as part of GDC 2011's 'free recordings' section.

The following lectures from GDC 2011's wide range of emerging market Summits -- which were some of the highlights of this year's February 28th-March 4th show in San Francisco -- are being made free at this time:

In the first newly available GDC Vault video, Social Chocolate's Jane McGonigal presents a Serious Games Summit keynote named 'We Don't Need No Stinkin' Badges: How to Re-invent Reality Without Gamification'.

The talk from the ARG designer and author of 'Reality Is Broken' suggests: "Plenty of game developers think gamification sounds cynical and opportunistic -- a way to motivate gamers to do something they' ordinarily avoid... What we need now is a more holistic and whole-hearted approach to using game design to transform reality."

Another highly rated talk being made available for free in video form on GDC Vault is 'How to Win the IGF in 15 Weeks or Less', Andy Schatz's heartfelt explanation of how he entered heist game Monaco into the 2010 Independent Games Festival after just 6 weeks of one-person work -- and unexpectedly came out with the Grand Prize.

Using his Facebook status updates and explaining his state of mind, longtime indie Schatz explains "how design-by-brownian-motion can not only lead to a better finished product, but a faster schedule as well," with a spontaneous playtest of his acclaimed title jammed into the end of his Independent Games Summit lecture.

[Continuing his new 'Tales from the GDC Vault' series, digital historian Jason Scott showcases his digitizing and contextualizing work for Game Developers Conference content for the GDC multimedia archives, showcasing Ian Bogost's newly-free Cow Clicker talk and a new GDC 2000 press reel.]

Jason Scott, GDC Historian and Archivist here. Great news for you, if you've been hearing a lot about this "GDC" thing and want to know what you're missing.

Game Developers Conference has not just been freeing up older, classic talks like the ones I've been digitizing from over a decade ago - they've also released a variety of just-recorded talks from recent GDCs. All of these are recorded using the digitally speaking mechanism, where you can watch the speaker and slides, just the slides, just the audience, or whatever works for you.

There's a growing pile of these present-day presentations that you'll get your hands on, and I'll be pointing out some of the ones that really grabbed me, looking over them.

So here's a great talk to check out from this just-past GDC, one of the more surreal and meta-referential talks that was on the lineup: "Making a Mockery: Ruminations on Cow Clicker" by Ian Bogost, originally given at GDC Online 2010 in Austin in October 2010.

[In the first of his new 'Tales from the GDC Vault' series, digital historian Jason Scott updates on his continued task, digitizing and contextualizing Game Developers Conference content for the GDC multimedia archives, highlighting two of the just-posted classic postmortems for scrutiny.]

Jason Scott, GDC historian and archivist here. I'm still around! After the end of my historically-themed work for 'GDC 25', it was not 100% clear that GDC would want to continue the process of rescuing/archiving their own past for presentation on the Vault. Well, the word came down and here I am. So let's dive back in.

I'm really glad they made this choice, because a service like the GDC Vault holds a lot of value, whether for game scholars studying trends and events in the industry, or to give newer developers insight into what practices have been in place and maybe even why those practices came about.

To that end, I hope to turn this room of videotape, audiotape and artifacts into a nicely boxed, digitized pile that you can enjoy - most of which will be made available in the free section of GDC Vault.

One part of being the GDC historian is you get to go to GDC. I had a great time, took a lot of photos, and talked to a good number of people. And I got to attend the newest crop of presentations, instead of hearing them off audio and videotape.

Like a certain percentage of GDC attendees, I was really impressed and looking forward to the Classic Postmortems... but I was also keeping my expectations tempered. After all, in some cases the developers were being asked to hearken 10 to 20 years ago, and talk about events that might have fallen by the wayside in terms of memory.

I figured most might go in somewhat nostalgic directions, glossing over harshness or not giving much larger context, in favor of reminiscing about the whole project as being worth all the now-forgotten trouble.

I had little to worry about. The postmortems were amazing. Let me highlight a couple you should check out if you haven't already.

Mark Cerny, who has had a long career in video games with companies including Crystal Dynamics, Sega, Insomniac, Sony, and Naughty Dog, got his big break working for Atari back in 1982.

From this early time came a very unique, very visually arresting game called Marble Madness. For his classic postmortem, Cerny breaks down the choices and process that lead to Marble Madness, and then what work went into the design/hardware of the game itself.

Gamasutra covered this nicely, but I want to additionally point out how effectively Cerny gives a feeling for working at Atari at the time. In particular, he covers the time and iteration issues that hardware/software developers within the company had to deal with, and the amount of design work that was changed or thrown out along the way. His notes and early drawings from that time are excellent, and he shows what decisions he made and why.